Words: Christian Thompson - Coast Lines MagazineIn the lead up to SALA, local wave rider and mud slinger Gerry Wedd talked art, surf and music. Gerry was born in McLaren Vale but grew up in Port Noarlunga and started surfing when he was around 11, as well as walking all around and exploring the place.“My older sister was a keen surfer and had a car so I made occasional forays with her down to Middleton but I really grew up surfing at the South Port river mouth - there’s a small reef there called Little Rincon - then you would graduate to Trigs and then down to Seaford. I was very much a grommet. There was a bit of a pecking order back then… Gerry says there was a bit of hierarchy out on the line-up that is probably still there but it was much more pronounced back then. “You really had to earn your place. “It may sound silly but Port Noarlunga is kind of my spiritual home - the formative years - when there were still paddocks everywhere and it was ok for an 11-year-old kid to hitch to the surf. It was such a really great time to grow up there. Some folks say the surf isn’t what it used to be on the mid coast but Gerry says that is nonsense.“I would have started surfing there from 1967 onwards and for many years I lived in the area and even when I moved away, I still came back there to surf. It’s not better or worse. Nothing has changed. It’s just something grumpy old folks say. Gerry 1970. Photo supplied. Gerry got his start making art from a great friend of his parents called Frank Lee, who lived nearby.“I always drew. He was a water colourist and also an illustrator for a couple of magazines and he would drop around and see me drawing and give me all this encouragement and advice about how to make a drawing better. I think there may still be some of his watercolour caricatures of local identities on display at the Port Noarlunga Hotel. “I was drawn to art at school but my mum also made pots – she did a TAFE course and started making pots in the house. She’d be making pots on the kitchen table or in front of the TV. I saw her making things and then selling them… bringing money into the household from doing something that she really loved. I didn’t really think about it at the time, but I’ve thought about it a lot, more recently. She really was a role model in that way – I was like ‘oh you can actually do that - make money from something you love.’ “I always thought that because I kind of gravitated towards those kind of pursuits - and I also really wanted to surf whenever the surf was good - a creative life and a surfing life could go hand in hand. You can be in control of your own hours. “When mum was making and selling things it got to a point where she was wanting to make larger things – like a big bowl or something and I taught myself from books how to make rudimentary things. I was kind of doing a weird apprenticeship with her in a way.Surfing and beach culture – and the Fleurieu itself has influenced Gerry’s work over time. There’s a lot of surf imagery and references in the work he does. “I went to Art School and started making pots and I was very reluctant to use that kind of pop culture imagery because ceramics is so embedded through history and then this thing happened where I submitted some work to (Australian fashion brand) MAMBO. “When I started doing work for them, the director said - what we’re really interested in is your relationship to surf culture - because I was a bit of a nerd about that stuff and still am, so I started doing work for them that was really rooted in surf culture and one day I think I kind of looked at one of my pots and thought - why am I not doing this with my own work? All of a sudden, I got this sense of freedom about how I would address the pots. “And then I just started adding a lot more imagery that was to do with surf and popular culture and music to my pots, which was kind of interesting because that’s what all the old ancient Greek pots have on them. They have songs and stories. So I was actually being incredibly traditional, without consciously knowing it.“With the Ancient Greek pots it was the first time I’d really seen text on ceramic objects and I think I kind of stole that and writing and listening to lyrics is a good way of starting narratives – and narrative imagery. “I started to illustrate songs on pots, but I would work the other way as well where I’d think of an image to put on something and think really hard about what kind of text might either underline the drawing or even question it in some way. I love the play between image and text.”Gerry has also done work with tiles.“As I got more and more interested in the history of ceramics, I really began to love the idea of utilitarian art. My wife and I went to Mexico when we first met and I saw a whole lot of really interesting tiled work there that was influenced by Spanish ceramics and it showed the potential to tell or allude to stories on a functional surface. “Then I started looking at tiles from Holland and all over the world and I like the way that the people who decorated them quite often weren’t great at drawing and so they have a really nice clumsiness and freshness. I like the idea of the tiles being kind of like a ceramic canvas. “I’m in the midst of a 650-tile project at the moment which is kind of driving me crazy! But it’s also very exciting. “I did a big piece for a thing called Australian Art Now a bit over a year ago at the Art Gallery of NSW, which they purchased and they’re going to put it up in the new gallery in the next month or so. That was a really big tiled fireplace surrounded by the lyrics of Heaven Knows I’m Miserable Now (The Smiths) and I did a lot of playful stuff to do with the kind of aphorisms that people display in their houses - like Home Sweet Home. Gerry used to be in a band, The Artisans, which had a bit of a Manchester influence. “We were half art school kids, half English people who had grown up listening to all that music. And when we were playing around at places like the Exeter Hotel, I used to paint backdrops for the band so the whole maker / artist / musician / band thing was very strong. I did a lot of the posters along with Mark Kimber. We were all at art school and they wanted a singer and I wasn’t a singer as such but I was one of those people who knew the lyrics to all of the songs.For SALA Gerry is a part of a show at the South Coast Regional Arts Centre at Goolwa called Riposte and also has a show coming up at a place called The Q on Hallett, involving around 20 artists called Just Jugs from 3-23 August. (https://www.salafestival.com/artfuel/program/view/10307/just-jugs) Riposte shows from Thursday 25 July to Sunday 1 September at the SCRAC, Goolwa Terrace, Goolwa.Gerry has kindly donated one of his artworks - head to the Fleurieu App's WIN Button to enter in the draw!Gerry in his studio. Photo supplied.

In August, the Fleurieu Peninsula comes alive with the third annual Fleurieu Food Festival, drawing food enthusiasts and tourists alike to over 50 culinary events. This month-long celebration highlights the rich variety of food and beverage producers in the region.Presented by Fleurieu Food, the festival program features a wide array of activities including masterclasses, tastings, and feasts, all designed to showcase the world-class offerings of local producers. It's a fantastic opportunity for small businesses, including local farms, cafes, restaurants, wineries, breweries, and distilleries, to present premium experiences and connect with visitors from near and far.Some of the many exciting events include Candy land - The Mad Hatter’s Tea Party at Bec Hardy Wines, where Chef Connor Bishop will dazzle guests with decadent sweet treats. Ashley Park farm offers a walking tour to explore its award-winning pasture-raised eggs under the feather&PECK label, providing insights into regenerative farming. For music lovers, Ekhidna Wines will host a Winter Glitter Ball featuring live music by Funk Fusion, with ticket proceeds supporting the Breast Cancer Research Foundation.Todd Steele, Chair of the Fleurieu Food Festival board is enthusiastic about all that is on offer.“The Fleurieu Peninsula is renowned for its exceptional food and wine. This year’s festival is packed with variety, and I encourage everyone to explore the program and experience the best the region has to offer.”The festival is proudly supported by Community Bank Fleurieu, the City of Onkaparinga, Victor Harbor councils, Office and Image, and the Willunga Farmers Market, with South Australian foodie icon Katie Spain serving as Ambassador.Highlights will include:Winter Cooking Masterclass for Cheese-Lovers.A History of Mississippi Blues Cabaret.Peninsula Providore {Plated Provenance} Long Lunch.Fiano & Fondue Fusion.For the full program and event details, visit the Fleurieu Food Festival website at https://www.fleurieufoodfestival.com.About Fleurieu FoodFleurieu Food is dedicated to promoting the food network on the Fleurieu Peninsula, emphasising local food, wine, produce, and markets. It welcomes visitors and locals, chefs, restaurateurs, microbrewers, and winemakers to join the community. For membership details, visit https://fleurieufood.com.au/membership.

Looking for a serene escape into nature that's accessible to everyone, including those with prams, dogs, or even horses and mountain bikes? Look no further than Kuitpo Forest, on Kaurna and Peramangk Country, near Meadows in the Mount Lofty Ranges.Established in 1898 to ensure a sustainable timber resource for South Australia, Kuitpo Forest has evolved into a 3,600-hectare reserve, with 60 per cent dedicated to plantation. Managed by ForestrySA, this community forest balances sustainable forestry with conservation and recreation.On a crisp autumn morning, we embarked on a stroll along the Forest Trail, accompanied by our furry friends. The tranquility enveloped us as we wandered amidst towering pine trees, following the well-marked trail. The weekday morning afforded the luxury of solitude, punctuated only by the cheerful chirping of birds.Photo: Fleurieu AppAs we meandered along the path, we were delighted by the diverse bird population. From wrens flitting among the branches to honeyeaters, magpies, blue fairy wrens, and willie wagtails, the forest was alive with avian activity. Pine and eucalyptus forests along the trail provided a rich tapestry of habitats, attracting an array of birdlife beyond our expectations.For those seeking a break amidst nature's splendour, the Avenues Picnic Ground offers an ideal respite. With ample parking, wooden picnic tables, bench seats, fire pits, and restroom facilities, it's the perfect spot for a pre- or post-walk picnic. And for added excitement, Tree Climb awaits just across the road.Extend your Kuitpo Forest experience into a weekend getaway at Chookarloo Campground, a peaceful retreat down the road. Set in mixed Eucalypt woodland, the campground offers basic bush campsites equipped with fire pits, untreated rainwater, picnic tables, and accessible toilets, catering to various camping preferences.Adventure seekers will find the forest an orienteering paradise, boasting three permanent courses designed in collaboration with Orienteering SA. With easy and moderate levels, these courses provide an exhilarating introduction to orienteering. Maps are available at the Kuitpo Forest Information Centre or online.Photo supplied by South Australian Tourism Commission. Photo taken by Declan Hartley-BrownFurry companions are welcome in plantation forest areas, including campgrounds, trails, and picnic spots. Just remember to keep them on a lead within designated on-lead zones and under control at all times.With many walking and hiking trails ranging from 1km to 12km, Kuitpo Forest offers something for everyone. Whether you're a casual stroller or a seasoned hiker, there's a path to suit your preference.Embrace the serenity of Kuitpo Forest and immerse yourself in the beauty of South Australia's natural landscapes.Photo supplied by South Australian Tourism Commission. Photo taken by Jack BrookesStory kindly funded through LINA (Local Independent News Association)

Last year the Adelaide Crows welcomed home South Australian midfielder Taylah Levy, signing her as a rookie for the 2023 AFLW season. Hailing from Victor Harbor on the Fleurieu Peninsula, Taylah has returned to her roots after time away playing basketball at Cleveland State University in the United States.Taylah Levy's journey from Victor Harbor to the national stage of AFLW is one of resilience, dedication, and unwavering passion. Growing up in the close-knit community of Victor Harbor before completing her schooling at Tatachilla in McLaren Vale, Taylah's childhood was blessed with the simplicity and warmth of small-town life.From an early age, her love for sports knew no bounds. Whether it was shooting hoops on the basketball court, displaying her skills on the netball court, or fearlessly tackling the boys in Aussie rules football, Taylah's versatility and determination were evident.However, it was her prowess on the football field that truly stood out. Joining the South Adelaide Football Club's women's development squad, Taylah's talent shone brightly, culminating in a premiership victory with the SANFLW team's under-16 girls' side in 2016.Her sporting journey took an unexpected turn when she was offered a scholarship to play basketball for the CSU Vikings in 2019. Embarking on a new adventure, she ventured across the seas to Cleveland State University in the US, where she balanced her athletic pursuits with academic excellence, earning a degree in psychology.Despite her basketball endeavours, Taylah’s passion for football never waned. As her time in the US drew to a close, she seized the opportunity to reignite her love affair with the oval ball. After contacting the Adelaide Crows, her determination paid off as she earned a spot on the team, making her AFLW debut in the 2023 season.Representing her state and community on the national stage is a source of immense pride for Taylah. Reflecting on her journey, she emphasises the importance of seizing opportunities and pursuing dreams with unwavering tenacity.Her days are a whirlwind of training sessions, games, and work commitments. Despite the challenges she's faced, including two knee reconstructions, she remains undeterred, fuelled by determination and the strong support of her family.As she continues to hone her skills on the football field, Taylah is grateful for the lessons learned and the memories made along the way, especially the camaraderie shared with teammates.

Bruce Rosewarne, a 77-year-old grandfather of 10, laughs at the mention of retirement. “Why would I want to?” asks the master jeweller, lacrosse legend and talented musician. It’s a good question. Bruce’s zest for life is palpable. Recently returned to Victor Harbor after two decades in Queensland, he says there is still strong demand for his brand of lovingly hand-crafted, custom-made jewellery. Plus, he says, “I just like doing things.” Mastering the craft of jewellery Bruce's professional journey began in 1963 with a six-year apprenticeship as a diamond ring maker and precious gemstone jeweller, complemented by a Diploma of Gemmology from Adelaide University in 1967. Since then, his dedication to his craft has led to numerous accolades during a stellar 60-year career. An award-winning designer, his work has been showcased internationally alongside renowned brands like Tiffany and Bulgari. Bruce is known for his meticulous attention to detail and his commitment to bespoke, handcrafted pieces. He says this approach stands in stark contrast to modern practices that often rely on computer-aided design and mass production. For him, the key is taking the time to talk to the clients and understand them. “I want to know what they want, not what I think they want,” he says. “The saddest thing in this industry is hearing about people having pieces made that they then go away and put in a drawer because they don't like them.” Always passionate about nurturing future talent, Bruce successfully lobbied the state government to establish a training school for South Australian jewellery apprentices to ensure they were taught the skills for creation rather than just repair. He also took on the role as the school’s off-site manager for 15 years during the 80s and 90s. Lacrosse legacy: beyond the field In parallel to his career as a jeweller, Bruce has had a significant impact on the lacrosse community as a player, coach, and administrator. His involvement with the sport began unexpectedly during high school when he was introduced to it by chance. “I was playing soccer at high school and then along comes a man with these wooden sticks.” This chance encounter ignited a lifelong passion, leading him to volunteer extensively in the sport across three states for over fifty years. Bruce’s dedication to lacrosse earned him an Australian Sports Medal in 2000, recognising his contribution to the sport. Rhythms of life: music as a lifelong obsession Music has also played a big role in Bruce’s life. He started his first band at 18 and became a top-notch percussionist and drummer, regularly gigging around Adelaide clubs with his band during the 60s, 70s and 80s. Since his move back to the Fleurieu he has rekindled his love of music by joining the Victor Harbor City Band and the Fleurieu Male Choir. Reflecting on his return to the south coast, Bruce is enthusiastic about the substantial development in the region, particularly the growth of the McLaren Vale vineyards and the new residential developments. "It’s good to see all the new people living down here now: it's not just the holiday destination for families from Adelaide anymore," he says. Bruce is certainly set to stay put on the Fleurieu. "This is home. The children and grandchildren are here. It’s not far from Adelaide, and we’re by the ocean."Surrounded by family, with the sea at his doorstep and music in his ears, Bruce continues to find joy in every aspect of his multifaceted life. The Pink Lady Jessica Watson, an exact replica size of the boat, which Bruce made & gifted to her for her achievement desire and attitude to prove that a young person could actually achieve sailing around the world solo.

The winter months signal more than just cooler weather for the Fleurieu Peninsula – they herald the arrival of whales migrating along the coastline. Make the most of whale watching season The ideal time to witness these gentle giants is between May and October, with peak season from June to September. During these months, both southern right whales and humpback whales grace the south coast as part of their annual migration from the icy waters of the sub-Antarctic. Marine biologist Dr Ali Bloomfield, of Fleurieu Marine Education, says the Fleurieu Peninsula offers prime land-based whale-watching spots, including The Bluff in Victor Harbor, Nakurami Kondoli (the whale lookout at Encounter Bay), Basham Beach at Middleton, and Frenchman's Lookout in Port Elliot. Before setting off on a whale-watching adventure, Ali suggests checking the Encounter Whales Facebook page for up-to-date sighting information. Pack warm clothing, sunglasses, binoculars if you have them, and a thermos of your favourite hot drink. Most importantly, she says, be patient – whale watching requires time and perseverance.Photo: South Australian Tourism Commission. Encounter Bay: a critical nursery Encounter Bay is a vital sanctuary for endangered southern right whales, serving as a breeding and nursery ground. Mothers and calves often spend up to four months in these waters, and the bay witnesses an average of three births each year, making it critical for the species' survival. The Encounter Bay Right Whale Study (EBRWS) spearheads conservation efforts in the area through a citizen science program. It focuses on photo-identification, data collection for national assessments, behavioural studies, and movement tracking. This research is invaluable for refining conservation strategies. Dr Claire Charlton, a marine biologist with EBRWS, says that each year they eagerly anticipate the return of favourite whales to the Encounter Bay nursery. “Many mothers, including Anu, Shamrock, and Chapeau, could potentially visit this season, based on their 3–5-year birth cycles,” she says. “Teresa, a veteran mother first recorded in 2006, is also a hopeful returnee. And let's not forget our beloved males, like Milky Way, Latte, Augustus, and Captain Hook, who always bring a smile to our faces.” “Numerous other females have birthed calves here, and with more photos, we could identify even more individuals,” Claire says. EBRWS encourages anyone with good quality photos of whales to share their images and contribute to this important research effort. Learn, explore, and protect Whale watching offers a unique opportunity to learn about and appreciate these magnificent creatures. However, it also serves as a reminder of the threats they face, Ali says. “We want people to appreciate them, as they were hunted to near extinction and they still face threats from humans: entanglement, boat strikes, disturbance, and climate change.” Ali warns that if we don’t take action to conserve whales they might not be around forever. “Southern right whales are an endangered species and last year we didn’t have any resident nursing mothers, which was heartbreaking. We all hope we see some mothers return to our waters to birth and nurse their calves this year.” To deepen your understanding of whales, visit the South Australian Whale Centre in Victor Harbor, offering interactive exhibits, educational programs, and the latest sighting information. Fleurieu Marine Education provides guided tours of the centre and walking tours focused on Victor Harbor's whaling history.There’s no doubt about it – the Fleurieu really is the place to be this winter for a whale of a time!Photo: South Australian Tourism Commission.

The wreck of Star of Greece on 13 July 1888 was an important event in the history of the Fleurieu Peninsula and, more generally, in the colony of South Australia. Today the wreck lies in only 4m of water and a small part of the bow still appears at times of very low tide, to the north of Port Willunga. Proximity to Adelaide makes it the largest and most accessible shipwreck in South Australia for snorkelers and SCUBA divers who regularly visit, usually in the summer months. Star of Greece is an impressive site with massive iron frames and plating spread across the seabed. Experiencing Marine Sanctuaries (EMS) takes snorkelers to the site each year, so if you want a chance to see the site just look up EMS on Facebook. Star of Greece sank after loading 16,002 bags of wheat at Port Adelaide for a return voyage to London and then being towed out to moor off Semaphore. The captain and the last of the crew came aboard on Thursday 12 July 1888 and the vessel set sail to head through Backstairs Passage into the Southern Ocean. At about 3am the next morning, Star of Greece came to grief off Chinaman’s Gully at Port Willunga, only 200m from the shore. When the wreck was sighted at first light, the people of Port Willunga rallied to rescue the distressed crew. Unfortunately, with the sea so turbulent, there was not much they could do. When Mounted Constable Thomas Stephen Tuohy from Willunga reached the scene he dashed into the breakers and rescued one exhausted sailor. He risked his life several times trying to save more but unfortunately eighteen men died in the tragic events of that day and just ten of the crew survived. Some of the bodies of the victims were buried in the Aldinga Methodist (Uniting) Church graveyard and were marked with a memorial obelisk. In 2018 the Willunga Branch of the National Trust of South Australia arranged for a bronze plaque with all 18 names of the deceased seamen to be placed next to the memorial. It is always interesting that many marine artists choose to paint shipwreck events that they have not witnessed themselves. They often appeared on the scene sometime after the shipwreck event had essentially finished. One example, and the most prolific artist of the Star of Greece wreck event, was George Frederick Gregory junior (1857-1913) who was the oldest son of noted Melbourne marine artist George Frederick Gregory senior (1821-1887). At least seven works by G.F. Gregory junior depicting the Star of Greece wreck are known to exist; four are held in public collections (two in the Art Gallery of South Australia, one in the State Library of South Australia and one by the South Australian Maritime Museum) and three are held in private collections. During May through to July 2024 two of the Gregory paintings of Star of Greece were on display in the “Coast” exhibition in the Art Gallery at Waverley Park Homestead. Star of Greece shipwreck by G.F. Gregory junior (c.1888. Private Collection) There are two important public collections of material from Star of Greece, some of which was salvaged at the time of the wreck and other material was raised by SCUBA divers, mainly in the 1950s to 1970s, before state and federal heritage laws largely brought a halt to looting from shipwrecks. One of the Star of Greece artefact collections is exhibited by the Willunga National Trust in the Courthouse Museum, Willunga and the other is held by the South Australian Maritime Museum in Port Adelaide. One significant item from Star of Greece is Captain Harrower’s telescope that was recently purchased at auction by the Willunga National Trust.Star of Greece telescope held by National Trust Chair Dr Paddy O'Toole (photo by Mark Staniforth) Public fascination with Star of Greece is on-going. For more than thirty years Willunga National Trust Branch has conducted an annual Star of Greece heritage walk for members of the public on the weekend closest to 13 July to commemorate the sinking. The next Star of Greece heritage walk will take place in July 2024. Admission to both the Courthouse Museum and Waverley Park Homestead is free, as is the annual Star of Greece heritage walk. For more information and to book see the Willunga National Trust website Dr Mark StaniforthWillunga National Trust memberStory kindly funded through LINA (Local Independent News Association)

Every Thursday arvo during the 1903 footy season, a man stood sentinel on the road between Adelaide and the Fleurieu. His eyes scanned the horizon for just one thing: the horse and cart of Willunga Football Club legend, Hendrick ‘Taffy’ Waye. If Taffy was spotted heading for the city, it meant he'd suit up for Sturt that weekend, robbing Willunga of their best player and offering their opponents a sliver of hope against the otherwise unstoppable team. Or so the legend goes. Willunga Football Club’s rich history The story of Taffy is just one of the many great yarns that make up the rich history of the Willunga Football Club, which is celebrating its 150-year anniversary in 2024. Also known as the Demons, the Red and Whites (for their uniform colours), and (according to their club song), “the greatest club there's been”, members and supporters certainly have a lot to celebrate. Established on 29 May 1874, Willunga is South Australia’s second oldest continuous football club – just four years younger than Port Adelaide. In 1877, the Demons became an inaugural member of the South Australian Football Association. However, the long distance from Willunga to Adelaide made regular competition in that league too difficult. The club left in 1886 to help found the Southern Football Association (SFA) alongside Sellicks Hill, Aldinga, and McLaren Vale. The club’s golden era during their time in the SFA was 1931-1956, when they played in 18 grand finals, winning ten. In 1986, the Demons transferred to the Great Southern Football League (GSFL) where they quickly established themselves as a force to be reckoned with. They have produced many great players down the years, winning a total of 38 A grade men’s premierships along the way. Both before and after Taffy won the 1903 Magarey Medal for Sturt, local legends abound in the club’s history. In several cases, four or five generations of one family have suited up for the Red and Whites. Recent well-known Willunga alumni include AFL players Randall Bone and Ben Thompson. In those early days of Aussie Rules when Willunga began as a club, even the shape of the ball was up for debate. Willunga Football Club historian Gerry Loots notes that it took several years after the club's founding to officially settle on the oval of today.Willunga Football Club C1883. Photo provided. A modern era rooted in community It’s certainly a long way from the modern Willunga Football Club, now headed up by its first female president, Julie Clifton. Julie says it’s a privilege to be the first woman in the role, creating a precedent she hopes will inspire more women to step up and lead. Inclusivity at the club has also grown rapidly in recent years: Willunga fielded its inaugural open women's team in 2016. Now there are three Willunga women’s teams in the league, and the A Grade and Under 17 teams have both won the past three GSFLW premierships in a row. Willunga has more than 300 members, plus around 90 girls and boys involved through Auskick. But Julie says the real secret to the club’s ongoing success is its bonds with the community and its family-friendly values. “If you don't have a good culture and a good social aspect to your club then people are not going to come.” “It's the people that make the club special – the members, the people who volunteer, that’s the club’s backbone. Premierships are nice to win, but you can have the best footballers in the country and if you don't have all the people contributing behind the scenes you won’t create that culture that people want to be part of.”Willunga Football Club's first (and current) female president, Julie Clifton. Photo provided.Celebrating 150 years The club is celebrating its massive milestone throughout the season with a line-up of events that includes a Past Players’ Day and a whole lot of fun, family-friendly evenings of entertainment. The social calendar culminates on 24 August with the 150th Demon Ball gala dinner. There’s also a ‘150 Years Unlocked’ fundraising drive happening to kickstart the creation of a modern, interactive museum to house the enormous amount of historic memorabilia currently hidden away in storage. “We might not have made it to the AFL like Port Adelaide, but we’ve got a rich, deep history that’s worth preserving and celebrating,” Julie says. “Attached to a lot of our memorabilia are wonderful humans that have represented our club before us. We want to unlock all that, and put it out on display in a special way.” Work has already started on preserving the club’s history, with Gerry digitising archives and photos. Meanwhile, Derek Rogers of Akaroyfilms has been restoring old game videos and filming interviews with veteran players. Julie’s dream is to make this digital history accessible alongside the memorabilia, through interactive displays in the planned museum. As well as educating the community about a proud sporting history, the museum could be a place to inspire future Willunga champions. After all, it will soon be time to start writing the next 150 years of the Demons’ history.Willunga FC 1956. Photo Supplied.

Spotlight by Christian ThompsonWhen you think about what makes the Fleurieu great – what comes to mind?Is it the world-renowned wineries? The fantastic restaurants, the local markets and festivals?Maybe it’s the stunning coastline with surf spots ranging from the gentle grommet-friendly waves of Southport to the hairy, hardcore breaks at Knights?For locals and visitors alike, it’s likely to be a combination of all of the above, but for some it’s all about the music.The local live original music scene is an essential part of the Fleurieu’s identity and has been for decades. Of all the things that make the Fleurieu a great place to live, work and play, local music provides the soundtrack, blending the region's unique vibes with the rhythms of daily life.The local music scene doesn’t just support local artists by giving them a platform to perform and grow – from an economic point of view, it brings punters to venues, cafes, wineries and festivals. It’s a win/win. But could it be better?I sat down with local mid-coast muso and keen surfer Nick Vulture to talk a bit about where the local music scene is at, and more importantly, where he’d like it to be.CT: Tell us a bit about your history with music and your history with the mid-coast.NV: I played in a surf/garage/punk band called the Molting Vultures for 18 years. We were influenced pretty heavily by the local punk scene with bands like The Lizard Train and Exploding White Mice – that sort of sound and also more broadly by bands like Radio Birdman, The Ramones and The Stooges. It started as a bit of a laugh and it ended up being a bit of a laugh for nearly two decades!Between 2012 and 2020 I was living in Melbourne and regularly coming back and doing shows with the band. In 2019 I decided to try my hand at doing some solo stuff.I was going to see people play in Melbourne like Charles Jenkins and Tom Redwood, who are both Adelaide ex-pat musos and decided I wanted to have a crack at it. The idea of just being able to pick up a guitar and go anywhere was appealing after all those years of travel and lugging gear.During lockdown in 2020 I started to listen to more varied genres and people more in the singer/songwriter space like John Prine, Justin Townes Earle, Conor Oberst, Phoebe Bridgers and the like. I was attracted to the darker lyrical songs which maybe had something to do with my own personal situation at the time. So over those months of being shut down and shut in, living by myself for a long period of time, I came out of all that with some songs.I moved back home when the borders opened. I’ve been doing solo work here ever since and now I’ve got three albums out.CT: Tell us a bit more about your connection to the mid-coast and the Fleurieu.NV: I didn’t grow up surfing as a kid but when I was about 16 we moved to Sydney for Dad’s job and ended up living not that far from Manly. I went to a school called Freshwater High – sounds like a TV soap opera! but it was close to Manly and everyone surfed so I started to learn myself.When I came home in 1987 I was going to Uni and I was perpetually broke and the closest surf I could get to was the mid coast. And often instead of being at Uni I’d just get in the car and surf the mid-coast and I really grew to love it.CT: What about the surf itself?NV: Surf-wise it’s no Eyre Peninsula. It’s not too consistent but I just love it – it’s such beautiful coastline and the surf is fun - there’s beautiful reef breaks here. So my relationship with the mid started from that. I just fell in love with it.CT: How has the mid-coast influenced your music?Well in terms of the Molting Vultures it definitely did. We had songs about the local surf breaks! I wrote one about Trigs (Trigonometry Point – Port Noarlunga South) and one about Gulls and one about the Trough – It’s goin’ off at the Trough.With the solo stuff I walk this coast a lot and I often come up with songs on those walks. You get in a kind of meditative state where the lyrics really land on you. I have a song called Barbara Grace Scott, which is about one of the bench seats along the coast that has an engraved plaque honouring her. It looks out over the U-Turns surf break. The song isn’t about her life as such but it pays homage to her.CT: You started the mid-coast gig guide Facebook Group, which has about 400 members. How did that come about?NV: I do a lot of things musically in the area – besides my own music. I also run the Saturday Live Sessions at the Port Noarlunga Arts Centre every three months. It’s folk, acoustic kind of stuff. We have two guests on the day – one from anywhere and one from the local area.I also help run the Mid-Coast Folk Club on the last Thursday of the month down at Sourc’d Wine Bar Aldinga. We’ve had some great locals headline, like Tom Redwood and Jen Lush and Jessica Luxx. We had a Queensland band touring Australia called JC & the Tree. They were incredible. We’ve even got a band from Norway playing later in the year.It is really hard work getting people out to watch live original music. It’s definitely gotten harder since COVID so I was thinking about some different strategies around promoting live music, and the mid-coast and surrounds has got quite a few little venues around the place and there are musicians playing original music trying to make a go of it.So I decided to start something up on Facebook. Just mid-coast based original music – I’ve had to decline some cover bands or artists that aren’t on the mid-coast. It’s really about supporting the venues down here and supporting live local original music.CT: Tell us about some of the venues on the mid and surrounds.NV: There are quite a few wineries. Big Easy at Aldinga is one of the more well-known venues. It’s a beautiful spot. There’s also Red Poles at McLaren Vale. Shout out again to the Port Noarlunga Arts Centre - one of the most beautiful sounding venues in Adelaide.Sourc’d that I mentioned earlier has original music every Saturday night. It’s an amazing little space. RIP to The Pepper Tree at Aldinga that closed not that long ago, unfortunately.There’s also the Stone Pony that Jen Lush runs in Willunga. It accommodates bigger touring acts and there’s the Cooee Arthouse at Aldinga that Loren Kate has set up. The Port Noarlunga Football Club still puts on punk and hard rock shows on a semi regular basis. They had a big one recently.CT: What about the Surf Clubs?NV: Yeah the Christies Sailing Club has live music every Friday and Sunday. Southport Surf Life Saving Club also has music – and they’re part of the Port Noarlunga Blues Festival. The surf clubs are great spaces - fantastic locations. I’d love to see more of them get on board. Moana Surf Club had an open mic thing for a while. It’s got all the makings of a great venue.CT: How do you rate the health of the local music scene at the moment?NV: It’s pretty good. The music I’m talking about is mostly singer songwriter style and there’s a lot of really good people. The Mid-Coast Folk Club is really drawing out people wanting to try their hand at the singer songwriter stuff and there’s some great people performing there.CT: Looking forward, what are your hopes for the scene?NV: It’d be good to see more venues obviously, but it would also be good to see more venues focusing on original music. I feel like there’s a little bit too much focus on cover bands or tribute acts and they all have a place and I get that and I’m not being critical of them. It’s a bit of a chicken or egg thing – if people don’t go out and see the original music then the venues won’t put them on so we need people to support. Bums on seats for local original music!Venues have a big role to play, but it’s hard and they are struggling. Insurance is off the radar. I’ve had this conversation with a few venues recently – everything is expensive. The electricity. Even the oil that they cook with… everything has gone nuts and they’re all scraping through.I totally get that venues do what they need to do, but if they can occasionally take more of a risk and promote it through their channels so that it becomes more of a thing then that will help a lot.CT: In the meantime – the Folk Club – what are the details if people want to go?NV: Sourc’d Wine Bar Aldinga. Last Thursday every month. Kicks off at 6pm. Only $5 to get in. Super fun night – the last few have sold out. Popularity is growing which is awesome.CT: What about local radio?NV: Triple Z and Tribe FM are great supporters of the local music scene. Fantastic stations. Kym-Maree Kujipers runs The Local – which is a great show. Todd Richmond Bennett does a show on Tribe FM as well, called Naked Radio.CT: Last question. Are you still surfing?NV: I sure am – we just need some waves!For your chance to win a copy of one of Nick’s albums visit the Fleurieu app's WIN Button to go into the draw.Nick has also put together a Spotify playlist featuring the artists mentioned in this interview. Have a listen here.To check out Nick’s upcoming gigs or listen to his songwriting podcast visit www.nickvulture.com/Seeking more local sounds? Check out our local radio stations online - link hereNick Vulture. Photo credit: Luke Greaves

SPOTLIGHT STORYWords & Photos: Susie WilliamsThis Kangaroo Island hike starts from the Ravine des Casoars Road, just 7 km south of the Playford Highway near Cape Borda Lighthouse, and promises an enchanting adventure in the northwestern expanse of the island.The trail unfolds along the ravine valley towards the coast, meandering past the creek bank and offering breathtaking vistas from elevated vantage points. It is a journey infused with historical intrigue, as in 1802 French explorer Nicolas Baudin encountered what he mistakenly identified as Cassowaries, but were actually Kangaroo Island Emus, sadly now extinct.Setting out with a group of four, we walked the mostly corrugated track from Cape Borda, greeted by the melodious calls of Currawongs on reaching the car park. Energised by the promise of discovery, we began the Ravine hike on a balmy summer morning.The path, clearly marked and moderately challenging, winds through rocky terrain, allowing us to marvel at the regenerative prowess of nature following the 2020 summer fires. The resilience of the landscape is evident as young gum trees flourish alongside their charred predecessors, a poignant testament to nature's ability to rebound.As we advanced glimpses of the valley below unfolded, which had previously been concealed before the ravages of the fire. Our journey was serenaded by unseen birds chirping, punctuated by the occasional appearance of charming superb blue fairy wrens and a rhythmic chorus of cicadas.Halfway into our hike, we encountered a shallow creek, its smooth rocks forming a picturesque border, where a solitary shag indulged in a leisurely swim. Amidst the eucalyptus forest, the subtle crackling of seed pods bursting open showcased nature's ingenious dispersal mechanisms.Gradually, the dense eucalyptus canopy yielded to coastal vegetation as we approached the shoreline. Sandy paths replaced rocky terrain, leading us to a spacious beach where the creek met the sea. Crossing the stream, we encountered soft, squeaky sand, flanked by towering cliff faces pocked with mysterious caves.The roar of the ocean served as our ultimate reward, accompanied by the spectacle of crashing waves. We spent an hour exploring the beach and its adjacent caves, discovering penguin footprints and marvelling at the raw beauty of the coastline.Our return journey, hastened by the rising temperature, offered a different perspective of the landscape. Pausing only to admire a monitor lizard seeking respite from the heat, we made our way back to the car, eager for the comfort of air conditioning.For future adventurers, we recommend allocating approximately three hours for the hike, allowing ample time to soak in the scenery and unwind at the beach.En route back to the road, a sign directs towards the Scott Cove lookout, offering a stunning panorama of the northern coastline and the Fides Bluff Marine Park, a reminder of the maritime history of Kangaroo Island. This is the final resting place of the ship ‘Fides’, which departed London on its final voyage from London on 11 January 1860 bound for Port Adelaide. In the early hours of May 22 heavy seas pounded the ship and within hours it had broken up. Five crew reached the shore and, after an arduous trek along the cliffs and through dense scrub, the survivors arrived at Cape Borda Lighthouse.Our final stop at Harvey's Return Cemetery paid homage to the pioneers of Cape Borda Lighthouse, set within the rugged landscape since 1858. As we bid farewell to this enchanting corner of Kangaroo Island, we carried with us memories of nature's resilience and the timeless allure of its coastal vistas.Story kindly funded through LINA (Local Independent News Association)

SPOTLIGHT STORYWords Susie Williams. Photos supplied.In the coastal town of Victor Harbor, professional chef Fred Zziwa dedicates himself to boxing beyond his daily culinary pursuits. Originally from Uganda, Fred has encountered numerous challenges on his journey to represent his adopted homeland in the sport.Despite facing obstacles, including navigating through a series of temporary visas since his teenage years, Fred's dedication to boxing has been unwavering. In 2023, his perseverance and athletic accomplishments were recognised, leading to the granting of a permanent visa. With an impressive array of achievements and trophies gained on the Novice boxing circuit, Fred has already earned admiration by demonstrating his exceptional dedication and talent. Transitioning to the professional circuit by the end of 2023, Fred's journey continues to inspire. The Fleurieu community stands united in support, wishing him every success in the professional boxing arena. Go Fred, we're all behind you! Q1. Please share some insight into your childhood. I was born in Uganda and came to Australia when I was 15 years old. I went to Mount Compass Area School and it was the best school I’ve ever attended. My favourite memories from childhood include being able to climb fruit trees and playing soccer with my friends after school and on weekends. Q2. What were your first impressions arriving in Australia to live? I was 15 years old when I came to Australia and my first impression was the taller buildings in the city were pretty much the same as I had seen in the movies. Australia was a totally different environment from a lot of other countries I had been to. When I walked around the streets, they looked like ghost towns as they were so quiet and the houses looked like nobody lived there, but they looked so nice and clean. This was so different compared to my home country where the streets are filled with kids playing. Q3. As a young lad where was your favourite hangout place and what are your favourite memories of those early days? The beach and the Bluff were definitely a couple of my favourite hangout places. One fond memory I have from my early days here is visiting my grandparents’ orchard and eating an abundance of cherries and apples, as well as riding their quad bikes.  Q4. Congratulations, you have made a name for yourself in the boxing world. What got you hooked on boxing? Who's your inspiration? I made a name for myself in boxing by going all in 100 per cent and becoming obsessed with the sport. The beauty of boxing is what got me hooked, the tactics, the complexities of the sport, the discipline and sacrifice required to succeed – you don’t play boxing. I would say Manny Pacquiao is my greatest inspiration in boxing. Q5. Describe a great day in the ring.  When everything me and my coach have been working on comes together in spectacular fashion and we showcase all the hard work that goes on in the gym. It is a feeling of pride that is hard to describe. Q6. Has boxing always been your sport of choice? Soccer was my sport of choice initially, but once I found boxing there was no going back. Q7. What was your most recent competition? How did you go and what's next on the timetable? SA Fight Night was my most recent competition. It was a very successful event in which I got a second-round knockout! What’s next is a fight night in June in Mount Gambier, followed by the Australian Title hopefully later in the year. Q8. What is your 'day job'?  Currently I’m working as a chef part time. Q9. What does Fred's rest day look like? My downtime activities include watching movies, going on walks, and a lot of naps to rest my body from all the training. Q10. What's your future aspirations for your boxing career? My ultimate goal is to become a world champion. Q11. As an adult, what is it that you love about living on the Fleurieu? I love the peaceful environment, the ocean view, the fresh coastal air and the people. 

SPOTLIGHT STORYWords: Anna Kantilaftas. Photos Supplied.As it moves into a new generation, Second Nature Conservancy - previously GWLAP - prepares for growth and encourages everyone to take small steps to preserve the Fleurieu’s natural environment. For more than 25 years, the Goolwa to Wellington Local Action Planning Association (GWLAP) has worked to restore, protect, and enhance the environment around Lake Alexandrina and beyond.Now, under the new name Second Nature Conservancy, the organisation moves into a new era.General Manager Ross Oke says, “We use our knowledge to plan and implement significant on-ground restoration projects and educational activities. To date, we've planted over 2 million seedlings, restored 10,000 hectares, and involved 4,000 landholders in our core region.”A recent milestone involved completing weed control across 75 hectares within Fleurieu Peninsula parks, enhancing high-value habitat.Ongoing projects include coastal vegetation restoration and a partnership with the Nature Foundation, aiming to preserve the habitat of the nationally threatened Mount Lofty Ranges Southern Emu-wren at Watchalunga Nature Reserve.Photo: Bullock Hill Conservation ParkFrom its roots as GWLAP in 1998, Second Nature Conservancy has become a torchbearer of environmental advocacy on the Fleurieu.“The name change is certainly tied to a new direction for us, which is to broaden our activities and our revenue base further by attracting investment from a wider range of funding partners and investors,” Ross says.“To some extent though, the change is retrofitting a more appropriate name to our organisation, which had already grown and evolved. There is still so much work needed to ensure our flora and fauna are conserved and can thrive in the long term.”While the heart of its mission beats in the catchments that flow directly into Lake Alexandrina, Second Nature Conservancy prides itself on doing whatever it can to conserve what remains of our native vegetation, and operates with the purpose of "restoring, protecting, and enhancing our local environment."“I love living on the Fleurieu, and that’s the key to caring for our environment – to value it. Recognising that nature underpins tourism, primary production, water quality, and the water cycle is fundamental,” Ross says.Biodiversity is more than just flora and fauna; it also considers nutrient cycling, filtering water, pollination of crops, and more. Through its workshops and events, Second Nature encourages people to learn more and recognise that everyone can get involved in caring for the environment. As the organisation opens this new chapter with a new brand, it reaffirms its commitment to environmental stewardship and its dedication to on-ground restoration projects and educational activities by making a tangible impact. Ross’s 5 tips to contribute to environmental stability and sustainability in your own backyard: 1. Cultivate appreciation: Foster a sense of appreciation and value for the natural environment, which enriches individual lives, especially children. 2. Education: Learn more about local flora and fauna, attending events, workshops, or nature walks to understand the significance of conservation efforts. 3. Get involved: Engage in practical activities with local conservation groups, volunteering time or advocating for the preservation of natural areas. 4. Bring Nature home: Choose plants that attract wildlife, avoiding invasive species, and ideally incorporating local native plants into your surroundings. 5. Support conservation efforts: Contribute time, advocacy, or donations to organisations like Second Nature Conservancy Inc. Every effort counts in preserving South Australia's natural heritage. Learn moreKyeema Conservation Park. Photo supplied.

SPOTLIGHT STORYWords: Anna Kantilaftas. Photos: Mike Annese PhotographyIn the quiet shadows of history, the resurrection of a CAC Boomerang emerges as a tale of restoration, family legacy, and a nation's unwavering commitment to preserving its aviation heritage. Jim Whalley AO is a former Air Force fighter pilot turned entrepreneur, whose journey took an unexpected turn when he embarked on a mission to revive a CAC Boomerang fighter plane. Unlike other aircraft in his restoration collection, Jim's bond with the Boomerang has a familial connection. His father, a World War II fighter pilot, links the two generations through a twist of fate. “I bought a Boomerang project that was around 70 per cent complete. As I was talking to Matt Denning (the restorer), about my dad’s aircraft and its serial number, he told me he knew where a lot of that wreckage was and offered to swap the parts of the new project with my dad’s aircraft,” Jim says. “So the CAC Boomerang I have is only about 20 or 30 percent of the original aircraft, but it’s nice to have that family connection.” The Boomerang's tale begins amidst the chaos of World War II, where it emerged as Australia's quick answer to the challenges of aerial combat. Designed and built in Australia between 1942 and 1945, it represented hope—and a necessity—in a time of uncertainty. “Australia's only designed and built fighter aircraft that ever saw combat was the CAC Boomerang. It flew extensively against the Japanese and through New Guinea in World War II. But it wasn’t the greatest fighter in the world,” Jim says. “Australia ended up receiving Kittyhawks [from the US], so the Boomerang was used for, and very good as an Army Cooperation aircraft, which we now refer to as a Close Air Support aircraft. “It would support troops on the ground and was heavily armed with cannons and machine guns. It was very tough, but it’s not necessarily a nice plane to fly; it tried to kill my father three times and it’s tried to kill me three times as well.” For Jim, the Boomerang offered opportunity to breathe new life into a relic with a connection to his personal history. With a team of skilled engineers, he worked to restore the plane and give it a second life. “I was born in 1966 when dad was 46,” Jim says. “Unfortunately, he died of cancer when I was nine years old, but since I could speak, all I wanted to do was be an Air Force pilot, which is largely due to dad’s influence. My godfather, who flew with my dad, also took on that fatherly role, so I always had that connection with the military and Air Force.” Jim says he pieced together the story of what happened to the CAC Boomerang his dad flew during the war. As his father was taking off on patrol of Merauke in New Guinea, he had some serious engine problems and turned around and came back to land the plane. When the commanding officer questioned the return, he jumped in the plane to check what was going on and realised it wasn’t operating properly. A flight sergeant was ordered to fly the plane to the west coast of Cape York Peninsula where they had a repair station, but the engine failed halfway and the plane was landed on a beach. There were no fatalities from the crash landing. “The wreckage sat there for a while,” Jim says, “Until they finally went and recovered most of it and used it for spare parts. Thankfully, there was enough left to put my plane together.” The restoration process was no easy feat, requiring a delicate balance of technical expertise and historical reverence over almost a decade. “It took an unspecified amount of money and about seven years. It was a lot of work on the part of the engineer. I’m the test pilot - I’m good at breaking things, but not at putting them back together,” Jim says. He says it was more than just his family ties that drew him to the CAC Boomerang, which he believes is a representation of Australia‘s achievements in innovation. “It’s sad that Australia seems to have lost its technological edge. We once did some pretty cool things in engineering and technology.” “The Boomerang sort of represents what Australia used to be able to do, what it was capable of in terms of technology when it set its mind to it. And I think whilst it wasn't the greatest fighter in the world, it was a pretty impressive effort to get it built in five months. And without that sort of know-how we could have been in deep trouble back in the 1940s.” The restored Boomerang, now proudly residing on Jim’s Goolwa property, may not have been the best in battle, but today, it carries with it the echoes of a time when Australia's aviation prowess reached for the sky.In the narrative of vintage aircraft, Jim's CAC Boomerang is another living chapter that serves as a reminder of a nation's ability to soar above its challenges.Story kindly funded through LINA (Local Independent News Association)

SPOTLIGHT STORYStory and photos: Ashley PorterBlended families have often been celebrated in fiction such as the vintage TV sitcom The Brady Bunch.The reality of living in a blended family is, of course quite different, and especially so when it includes family members who are neurodiverse.Living this reality are Claire Fuller with her two girls, Sienna, 16, and Scarlett, 11, and her partner Simon Capp, father of twins Heath and Austin, who turned 13 on Anzac Day.What makes the real-life situation for this Port Elliot family challenging and genuinely special, is that Scarlett and the twins are neurodiverse on the autism spectrum, meaning they have developmental, learning conditions or differences to be embraced.Claire believes that despite the situation this Mother's Day, Sunday, May 12, will again be a wonderful day for her, especially because their family circumstances continue to bring everyone closer.Last July Claire and Simon took on a 60 acre property on Range Road, Back Valley to create a pasture-raised eggs business – Back Valley Farm – a sustainable journey that is likely to lead to employment and a sense of achievement for their beautiful and bright children with autism.Claire has a background in environmental management and as a land management advisor, and Simon runs his own financial planning business, Tree House Financial Planning.They say a big consideration in making this 'tree change' from a previous suburban lifestyle was the children's future.Heath, who is home-schooled two days a week, is already thriving in his new environment. His work experiences include caring for 20 chickens in the first of a few caravans rotated across a pasture area protected by two alpacas, plus another nine 'chooks' in a pen. He longs for the day he can learn to drive the tractor. On Sundays he joins Claire, Simon and the girls volunteering at the local Crozier Cafe, preparing meals for people in need.“Volunteering is another means of getting the children involved in every-day activities,” Claire says.However, like every family caring for children with neurodiverse issues and doing the best it can for them, there have been challenging times.Claire notes that when her children attended a school in Adelaide specifically for those with autism, each of the 50 students at the time was from a broken family. “It tells you that neurodiversity puts a big strain on relationships really through no one's fault,” she says.“The thing I find most challenging is the reaction of some other people to our children. As one example, when I was at the supermarket recently I was at the check-out when I realised I had forgotten something so Scarlett went off to get the item for me. Instead of coming back around another person placing items on the conveyor belt she went between her and the belt to get to me. It was just Scarlett being herself; the shortest possible route.“The other person made a big thing of it unaware of Scarlett's issues. It's just those little things in our life and some people may say, 'oh she's just a kid' but you can only say that for so long.“There are a lot of things going on. There are complexities that I don't think have fully landed yet, and people who don't know just think that she is just being a rude kid. That can be hard.“Autism is not a difference or something that you can immediately see; it is a silent issue.“A lot of my work has been about environment engagement and dealing with outrage over environmental matters and my job was to be the mediator between community sentiment and state government policy so actually I am quite proficient in reading people in social situations. I am sensitive to that.”Simon and Claire will soon build on their Back Valley property with the thought the three youngest children will be with them for a very long time. “We know this, and it's not such a bad thing,” Claire says. “It is what it is.“I think neurodiversity exists in a lot of families, but often it is just seen as, 'oh they are just a little bit different'. It is about awareness.“Like other families in a similar situation I am sure what really matters is that our children are still beautiful and we love them all.“Simon has been an amazing dad. Every situation is unique, but I think the one thing that is keeping us together or being able to adapt to the situation is the approach to the kids and maybe having a particular focus on their needs while also ensuring it doesn't rule the whole life. Yes, there are special needs and it's about what can we do for them, but we also the need to draw the line.“I think it helps being very active people, that we keep things moving, we engage, we are motivated to find them help, and motivated to find connection with other similar home-schooled children on the Fleurieu.“I know that on Mother's Day I will be just as proud as any other mother. It's hard work, but it's also hard for a lot of other mums of this world. I hope they have a great day like I will.”

South Australia will have the opportunity to witness an extraordinary intersection of lunar exploration and local creativity with the Lunar Codex exhibition at the Artworx Gallery in Goolwa. A group of five South Australian artists are preparing to send their creative expressions of the world around them to the moon through the Lunar Codex program.  In a captivating venture echoing the historic 'Moon Museum' and 'Fallen Astronaut,' Canadian physicist and artist Samuel Peralta is endeavouring to enrich the Moon's art collection with his visionary program.  Representing almost every country globally, this celestial anthology spans diverse genres and mediums, encapsulating the essence of contemporary human creativity. Set for three launches over 18 months, this monumental project unites more than 30,000 contributors, who will send their works to the Moon via private missions by SpaceX and United Launch Alliance.  The art works will be part of the payload on various space missions, carried in time capsules known as Codex Orion, Codex Peregrine, Codex Nova, Codex Serenity, Codex Polaris, and Codex Freya. Each capsule is associated with a different mission, contributing to the diverse placement of contemporary arts on the Moon. Codex Polaris will feature more than 200 pieces of art, with the entire program incorporating artists from more than 162 countries around the world.  On May 26 this year, the Lunar Codex will arrive on the Fleurieu Peninsula, with pieces created by the South Australian cohort of artists adorning the walls of the Artworx Gallery in Goolwa for the exhibition Atelier Australis. Janette Humble, a musician and self-taught-artist, will have artwork sent on the Codex Polaris launch in November 2024, alongside Cheryl Bridgart, J Jo Headon, and Robin Hicks.  The collective was first united through the late Graeme Stevenson’s TV show, Colour In Your Life, which toured the world showcasing artists and their studios. When Graeme sent around an email informing all the artists who had been on his show of Peralta’s mission to send art to the moon, the South Aussie women leapt at the opportunity. In doing so, they also decided to come together for a local exhibition.  What sets this exhibition apart is not just the artistic diversity but the destination – the moon itself. The artists' episodes, recorded by Stevenson, underwent a digital transformation before being sent to NASA. The episodes were then uploaded onto nickel-shielded discs, becoming part of the payload for a series of launches. The first one took place in January this year.Janette Humble artworkInspired by the colours of the Australian Outback, Janette explains, “We've called our exhibition Atelier Australis because it’s our take on how we see our environment; our Australia. “This is what we would like visitors on the moon to see and experience about our space here because maybe someone or thing will go to the moon in a million years and find it, and they'll look at this and they'll think, ‘Wow, what is this amazing place?’.”  The Lunar Codex, envisioned and championed by Samuel Peralta, is a remarkable project that materialises the dream of sending the creative works of tens of thousands of artists, authors, musicians, and filmmakers to the Moon.  In conjunction with NASA's Artemis Program, which aims to return humans to the Moon by 2026, the Lunar Codex strategically leverages Commercial Lunar Payload Service missions and partnerships with entities like Astrobotic Technologies.  Comprising six time capsules, including Codex Orion and Codex Freya that venture beyond Earth's orbit, and four archival missions—Peregrine, Nova, Serenity, and Polaris—destined for the Moon's surface, the Lunar Codex represents the first significant placement of contemporary arts on the lunar landscape in over fifty years.  Atelier Australis, the exhibition curated by the South Australian women, unfolds as an eclectic selection of various styles and mediums of visual artworks , including for the first time embroidery. Each artist brings a unique perspective to the collection, collectively portraying their personal experiences of living on Earth. Janette explains that her paintings delve into the nuanced realms of mood, drama, fragility, and the awe-inspiring beauty of the Australian Outback. “So my work is about capturing the essence and emotion of the fleeting moment . I’ve got sunrises and sunsets, crashing oceans , stormy skies with animals trying to get shelter in the shadows of these massive storms. There are waterways in the Northern Territory that are so silent and still and then rainforests and the cacophony of sound from all the birds. So my work is all about mood and atmosphere.”  This exhibition not only serves as a platform for showcasing the talents of South Australian artists but also marks a historic moment in lunar exploration.  Robin says, "This is the second time that women have been represented with their artwork anywhere on the moon or anywhere in such a situation in the time capsule." “I guess really the story is larger than any of the individuals…. We've talked to each other a lot and looked at ‘what's my significance in this?’ and actually, it is a privilege to be part of it. Hopefully my art will talk to somebody on earth, but also maybe on the moon too.” As the artists ready themselves for the November launch, the profound impact of their involvement in the Lunar Codex project becomes increasingly apparent. Janette encourages exploring the theme of the artists' relationship with the planet and the universe, leaving room for contemplation about our existence and the mysteries beyond. In a world often characterised by competitiveness, this collaborative effort of five female artists from South Australia exemplifies the power of supporting each other's dreams. Their art, now destined for a life beyond Earth, transcends boundaries and connects humanity through the universal language of creativity.  The Atelier Australis exhibition at Artworx Gallery is not just an art show; it's a celestial voyage of imagination and inspiration, inviting viewers to ponder the profound connection between Earth, the cosmos, our environment, and human connectivity with all that lies beyond. 

The CLLMM Research Centre in Goolwa, is set to redefine local environmental research. In its first year of operation the Centre has quickly become a hub for collaborative, community-driven research, shaping the future of the region. In a groundbreaking initiative, the Coorong, Lower Lakes, and Murray Mouth (CLLMM) Research Centre is set to redefine the landscape of community-driven scientific research. Established in July 2023 by the Goyder Institute for Water Research, the Centre takes a unique approach, shifting away from traditional top-down research models to one that is entirely community-focused. Conceived in response to the advocacy of Rebekha Sharkie MP, Deputy Premier Susan Close and the local community, the CLLMM Research Centre was officially announced by the federal government in October 2022. Since then, it has been dedicated to fostering partnerships with First Nations peoples and the local community to ensure their perspectives are at the forefront of decision-making processes and research pathways. According to the Centre's Communication and Engagement Coordinator, Dr Tiffany Nay, CLLMM is unlike conventional research centres. "All of our research is actually being driven by community values. We're working to capture what's important to the community and use that to establish what research and engagement activities we have moving forward in the Centre. "This is such an exciting time for us and the community as we can work together to tackle future issues that will challenge the region," she says. CLLMM has the potential to cover a variety of research areas, ranging from environmental topics like biodiversity and specific species to economic impacts, particularly those associated with climate change. The goal is to align the research agenda with the community's concerns and interests. The Centre has already initiated a value capturing process, involving community workshops and a community survey. The survey played a crucial role in gathering local insights. As well as ongoing community engagement, the Centre is gearing up for the launch of a school’s education program. This initiative aims to involve students and schools in the region, fostering environmental awareness and education from an early age. The centre aptly is located at the Goolwa Aquatic Building and is a hub of community activity, with much more planned. "This open space is going to be where all of our community events and community functions happen. We will be hosting community events and the school programs in this space," Dr Tiffany Ney says. Aiming to bring science closer to the community, the Centre will feature innovative tools such as the Big Sandbox, an augmented reality experience that visualises landscape scenarios. It also plans to develop an app providing interactive information about the region, from sea-level rise projections to historical perspectives. One of the distinctive features of the Centre is its commitment to integrating First Nations collaboration and involvement. Nathan Hartman, First Nations Engagement Officer, plays a pivotal role in establishing connections and ensuring that First Nations knowledge is embedded in research projects. He emphasises the importance of incorporating this cultural perspective and runs workshops with First Nations communities. "First Nations culture and perspectives are extremely useful in improving our understanding of the local environment, and we're very excited to bring them into our Research Centre’s projects. This is an amazing opportunity to guide our projects using First Nation peoples’ intricate and ancient understandings of the environment, while also providing a space where First Nations priorities amidst coming climate change can be directly addressed for multi-beneficial outcomes for everyone involved. My role is critical for this. I act as the point of connection between the Research Centre and the First Nations communities. It is imperative that we tackle these climate change challenges through utilising the expertise and perspectives of First Nations people and research organisations alike. Providing a more holistic approach to a universal crisis." The CLLMM Research Centre positions itself as a vital player in the environmental and community stewardship of the region, and has already joined existing research on waterbirds and native fish of the Coorong, macroinvertebrates, and the overall health of the ecosystem. As the Centre continues to evolve, it stands as an example of community-driven science, embracing inclusivity and collaboration to address the unique challenges and opportunities of the region’s landscape. 

Words & photos: Christian ThompsonThere’s a cartoon about vinyl record collectors that appeared in the New Yorker a number of years back... A man proudly shows off a vintage hi-fi system and speaker array sitting atop a sideboard full of vinyl records. Looking at the sprawling setup that takes up an entire wall, he proudly exclaims toanother man: “The two things that really drew me to vinyl were the expense and the inconvenience.”  Many audiophiles will nod in agreement with this meme. It’s not criticism. It’s affirmation. But are all vinyl lovers and hi-fi enthusiasts dropping $10k on point-to-point hand-wired amplifiers and loudspeakers that weigh more than a small car? The answer is a resounding, resonating, reverberating no. In fact, vinyl is even more accessible – even more egalitarian now than during in its heyday. New and second-hand turntables can be found at just about any price point, and the pre-loved vinyl market is flourishing.Around Christmas, it’s almost impossible to avoid someone sharing their Spotify Wrapped – their list of most played songs and artists for the year. Spotify makes it super easy to share, because it’s ultimately a marketing campaign to further promote the app. Your streaming data is harvested and fed back to you in a way that lets you share it with the click of a button. Congratulations, you’re now a Spotify marketing affiliate!Music streaming services like Spotify have many benefits. You could say they’re the antithesis of the meme described above. Streaming is inexpensive and extremely convenient. All the hard work is done for you and thanks to powerful algorithmic voodoo, your music playlists are curated based on your tastes and preferences and all you have to do is sit back and listen. Sounds great right?  But there is another way. Another method of discovering music that is growing exponentially in popularity… and once you start, it’s hard to stop.The BeatboxHunters and CollectorsLast year, vinyl record sales outsold CDs for the first time since 1987. This is the same year Walk Like an Egyptian by The Bangles and Whitney Houston’s I Wanna Dance with Somebody topped the charts.  Why, in this day and age, when our mobile devices enable us to access just about every song ever made with a click and a swipe, would vinyl be more popular than it has been in the last 25 years?For many, the joy of hunting for second-hand vinyl records is a unique and enriching experience that goes beyond mere music acquisition. It's a nostalgic journey through time, a tactile exploration of musical history, and a celebration of the tangible in a digital age. Sifting through sometimes dusty crates and weathered shelves in record stores, second-hand shops and antique bazaars, becomes a hobby in and of itself. Each discovery unveils more than just a piece of vinyl – it's a relic carrying the essence of an era.  Hunting for second-hand vinyl isn’t just about accumulating music; it's a treasure hunt, a voyage of discovery, and a nod to the enduring allure of analogue in a world dominated by digital.Whether you’re a seasoned crate diver or just vinyl curious… across the Fleurieu there are some great places to seek out vinyl gems, so get out there and get hunting!Victor BeatsThe Beatbox - Shop 10/19 Beach Rd, Christies BeachNew and second-hand vinyl. Hi-fi sales and repairs.Noddy’s Curios - 11 Gawler St Port NoarlungaGoing strong since 1996. Dedicated vinyl space with plenty of crates to dig through arranged by genre and decade.Victor Beats - Shop 1, 8-16 Ocean St, Victor Harbor,New and pre-loved vinyl, CD's, DVD's, Guitars, Ukes, T-shirts, Posters, Gifts and more.The Strand Books and Records - 22 The Strand, Port ElliotPlenty of retro vinyl to sift through.The Old Registry - 45 The Strand, Port ElliotGreat selection of second-hand vinyl. Stock refreshed regularly.Antique Bazaar of Strathalbyn - 25 High St, StrathalbynFantastic selection of rare and collectible second-hand vinyl.Got a tip? A favourite place we might have missed? Drop us a line.

Footprints - by Susie WilliamsWelcome to Footprints, our new regular feature dedicated to helping readers embrace the great outdoors right in our very own backyard. Take only memories, leave nothing but footprints.Every Spring, the Williams family tradition leads us to Deep Creek. However, this time was different. With the prospect of a kid-free weekend (the first in 19 years!), we decided to indulge ourselves in the award-winning Ridgetop Retreats, designed by the renowned architect Max Pritchard. These retreats, nestled in the Stringybark Forest, seamlessly marry sustainability with a high standard of comfort. The floor-to-ceiling windows provide an immersive connection to nature, even in the shower!After a restful night surrounded by the cheerful chirps of birds, we were eager to embark on a new adventure. Our destination was Gondooloo Ridge picnic area, armed with prepacked lunches. This time, our chosen path was the Aaron Creek Circuit, a National Parks Grade 4 trek covering 5.5km and taking about 3 hours for a return walk.The initial stretch of the hike was a leisurely stroll along a wide, easy path under the watchful gaze of kangaroos lazing in the shade. Passing through a fenced-off area, the landscape transformed dramatically, evolving from tall eucalyptus to head-high native shrubs. The trail eventually led us to a breathtaking viewpoint atop a hill, offering panoramic views of the sea—a truly stunning sight.Descending steeply, we reached the Eagle Waterhole Campground, a hidden oasis nestled among gum trees, fern-lined gullies, and lily-covered creek beds. This idyllic spot, sheltered from the wind, boasts clean amenities, a cooking shelter with running water, and elevated timber platforms for camping. It's a perfect spot for a picnic or camping, surrounded by the beauty of nature.As we continued our journey, following Aaron Creek through thick bushland, we encountered butterflies, dragonflies, and blooming lilies. A junction offered the choice to extend our hike to the sea, a decision reserved for another day.Opting for the path to the right, we ascended a narrow, steep trail bordered by grass tree fronds (Xanthorrhoea australis) and native branches. Two waterfalls adorned with lilies and vibrant flowers provided a picturesque pause. A wooden bench at the top became our afternoon tea spot, offering a serene view of the gully and its resident birdlife, including the delightful, superb fairy wrens.Close to the top we encountered a grass hilltop where the yakkas were in full flower. The birds were enjoying the bugs that were attracted to the tall flowers. We stopped and watched a crow who was amusing us with doing the splits, then hanging upside down….the things he would do to catch the insect he was after was truly entertaining.Reflecting on our good fortune, just 1.5 hours from Adelaide's CBD, we marvelled at the feeling of being alone in untouched bushland. Completing the circuit within 2 hours, we appreciated the challenge, especially the uphill sections, making this hike one of Deep Creek's hidden gems.---A month later, we returned with friends to the Stringybark Campground, nestled among tall stringybark trees. Annual camping gatherings had become a cherished tradition, blending hikes with evenings by the fire, sharing stories and enjoying hearty campfire meals.Our chosen day hike? You guessed it—the Aaron Creek Hike, with some brave souls opting for the extension to the coast. The southern track, overgrown and challenging, demanded long sleeves for protection against blackberry bushes. Crisscrossing Aaron's Creek continuously, we encountered lizards and even a few slippery snakes, adding an extra layer of adventure.The reward at the end—a steep rock climb down to a secluded beach, offering spectacular views of the Southern Ocean waves crashing into a rocky cove and Kangaroo Island in the distance. A sense of pride filled us as we enjoyed a well-deserved treat of fruit and water, discovering a mini cave with a tiny booklet and pen tucked inside. Adding our names to the list of explorers, we left it for future hikers to find, wondering how many more would join this tradition in the years to come.The journey back tested our stamina, navigating overgrown pathways, but with good spirits intact, we completed the extension in one piece, scratches and all. The additional 2 hours brought the total hike length to approximately 10km, challenging but immensely rewarding for those with a passion for hiking and a good level of fitness.In the heart of nature, we discovered that taking these footsteps truly is good for the soul.

Words By Mark StaniforthWillunga National Trust has established a new exhibition-only Art Gallery in the heritage-listed Waverley Park Homestead in Willunga. The homestead was built for important local identity Thomas Smith Kell in the mid 1840s. It has an ongoing exhibition called Our District: Willunga District’s Built Heritage Art as well as holding four temporary exhibitions annually (each of three months duration) with exhibition openings in late January, April, July and October. There were three exhibitions in 2023 starting with the Jane Price Retrospective (April-July), then from July to October The Places we have Lost and finally the Heritage, Art and Wine exhibition (from October). The first exhibition for 2024 will be local artist Roe Gartelmann Retrospective opening on Saturday 27 Jan 2024. During 2024 the Willunga National Trust will continue negotiations with the National Gallery of Australia in Canberra to borrow a small number of significant artworks under the Sharing the National Collection program introduced in 2023 by the Commonwealth Government. In July 2024 we intend to mount an exhibition called Know My Name: Willunga that showcases the work of now deceased South Australian women artists who were active in the Willunga Basin from the mouth of the Onkaparinga River south to Sellicks Beach and east to Kangarilla. If you have artworks by women artists such as Marjorie Gwynne, Kathleen Sauerbier, Maude Gum, Bessie Giles, Sandra Rose or others and you are prepared to loan them for the three-month exhibition (July- Oct) please email Waverley Park Homestead also conducts a regular program of openings, talks, craft and folk music sessions and provides local community groups with a free venue for meetings, events and activities. The building is owned by the City of Onkaparinga and managed by the Willunga National Trust see the website. The exhibitions are curated by a team of volunteers from the Willunga National Trust and the gallery is open every Friday, Saturday and Sunday afternoon between 1pm and 4pm. Admission is free and the artworks are not-for-sale. Supported by: Kay Brothers Winery, City of Onkaparinga, Awesome Foundation